Class of 2011

G. Austin Allen

After graduating from DSA, G. Austin Allen spent a year in regional and community theatre in Denver, working as a technician and assistant designer at Colorado Ballet, LIDA Project, and others. He now attends the University of Southern California where he studies Theatrical Design. Some of his school credits are Most Happy Fella (ASM), Grand Hotel (Prop Design), and Dark of the Moon (Lighting & Video Design). Outside of curricular shows, Austin is constantly working on student productions, including Dirty Rotten Scoundrels (Lighting Design), Merrily We Roll Along (Projection Design/Technical Director), Avenue Q (Scenic Design), Columbinus (ProjectioG. Austin Allenn Design), Floyd Collins (Scenographer).

Austin Allen obtained his degree in theatrical design from the University of Southern California. While working as a freelance lighting, video, and scenic designer from LA to New York, he also maintains a job as a stagehand at the Disneyland Resort.

He also continues to work as a Show Control programmer for the LIDA Project, both onsite and remotely. Though he no longer acts, Austin can still be seen “performing” every Wednesday night as the Trivia Master at USC’s campus bar.

You can view Austin’s design work at gaustinallen.com

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Eli Carpenter

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Eli Carpenter is currently the assistant director at the Denver Center for the Performing Arts Assistant Directing this season’s The Secret Garden, The Christians, and Frankenstein directed by Tony Award nominee Sam Buntrock. Last season he assisted on the Denver Center’s production of Sweeney Todd with new orchestrations by Grammy nominated, DeVotchKa. Other notable credits include assistant directing Ragtime, directed by Erin Ortman and The Secret Garden, directed by Tony Award nominee, Marsha Milgrom Dodge. Additionally, Eli has assistant directed off-broadway on The Wading Pool. Previously, Eli worked for the Broadway, television, and film casting agency, Telsey + Company.  Eli is a graduate of New York University where he majored in Directing and minored in Childhood and Adolescent Mental Health Studies.

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Sarah Harmon

Sarah Harmon graduated with her BFA from Webster Conservatory in St. Louis, MO.  After graduation, she attended The International Stunt School in Seattle Washington where she became certified in Utility Stunts for Film.  In October 2015, she performed at the International Theatre Festival of Havana in Cuba as Bella in Big Love. Since then, she has relocated to Los Angeles, California to pursue film and television.  She also hopes to continue her stunt training and is currently working on a voice demo reel.  Sarah’s most recent production was playing Olive in a production of The 25th Annual Putnam County Spelling Bee in Santa Monica. 

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Mei Mei Pollitt

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Mei Mei Pollit is currently working with the Undermain Theatre in Dallas, TX playing the role of Masha in The Fairytale Lives of Russian Girls by Meg Miroshnik. She has directed, acted, or wrote for over a dozen productions through SMU’s Mainstage and SMU’s student theatre in the past 2 years, including Mr. Marmalade (Lucy), The Flu Season (Prologue), and The Eccentricities of a Nightingale. Her one-act play Surrender: A Play about Love will premier with SMU Student Theatre this coming January and her full-length, Guernica, will be presented in the New Visions New Voices festival in Dallas this February. Mei Mei is a recipient of SMU’s Engaged Learning grant, a Meadows exploration award, and a Robert Mayer Interdisciplinary Research grant. She has done research on theatre and theatre festivals in France, Russia, and the U.K.


Sammie Jo Johnson

Samie Jo Johnson received her BFA in Acting from the University of Evansville and has since relocated to Seattle to pursue acting and writing adventures. She is an associate director with Round Room Image where she is in charge of training programs and developing original work.

Keep up to date with her at: www.samiejojohnson.com


Te Yellend

Te Yelland recently graduated from Cornish College of the Arts with a BFA in Theatre: Original Works in May of 2016. She has worked with INTIMAN Theatre (The Children’s Hour) Annex Theatre, (Puny Humans), Forward Flux (The Summer House), as well as various staged readings with

The Seattle Repertory Theatre, UW Drama, Seattle Playwrights Group and Washington Ensemble Theatre and has just wrapped the pilot episode of Tabitha: Witch of the Order. Te is currently enjoying the Seattle rain-sun and vibrant art and dance scene. Her writing

is geared to the POC: LGBTQIA** community as well as exploring nature and the ways of our earth.


Zach Davidson (Cantor)

Zach’s bold characterizations have kept him working consistently since graduating DSA in 2011. He is a Company Member (and Media Director) for Not Man Apart – Physical Theatre Ensemble, whose work Zach first encountered in Scotland, when DSA participated the 2008 Edinburgh Fringe Festival.

Recent roles include Hamlet (Miles Memorial Playhouse), Pisoni (Not Man Apart’s Ajax in Iraq), Lee Harvey Oswald (One on One, dir. Roger Guenveur Smith), and the Syrian Peddler (Theatricum Botanicum’s Green Grow the Lilacs — Scenie Award Winner). Zach’s film credits include the Ron Perlman/Amazon series Hand of God, the mini-series I Don’t, and the short film Jeffrey, in which Zach plays a young Jeffrey Dahmer.

In his “spare time,” Zach is also a company member with Salty Shakespeare (LA’s premiere Shakespeare flashmob company) and served as an Associate Artistic Director with Shakespeare Santa Monica before co-founding the company Coin & Ghost with fellow DSA alum (and frequent collaborator), Eli Carpenter. Zach is the mastermind/idiot behind their production, “Too Faust, Too Furious.” CalArts BFA Acting, 2015.

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